Thursday, 24 January 2013

Back to the #Phubu - Notes on an open class

I'm going to noodle some stuff down here about my new class whilst it's fresh in my head. Maybe I'll update it or reflect on it at the end, but as I'm doing something new (for me) I'm going to make notes on what I'm doing and why.

When I wrote Picbod and Phonar the mode of delivery embodied the issues they were dealing with (Photography like Education is going through a paradigm shift). Picbod was about the artefact and the generative experience, Phonar was about the audience and the role of the author.  So Open was just - appropriate - because open/connected/digital is driving these changes .

This year I got bumped into another class and the expectation (from students and the institution) is that it too will run openly. But unlike picbod and phonar this class has a predefined destination (it's a final year class ending in a final degree exhibition), in other words it starts with an answer rather than a question and that answer is "an exhibition".

In lots of ways this must be a common story; unforeseen staff changes mean someone drops in to cover someone else's class - it's unfamiliar material but with a little extra work the teacher can re-orientate themselves and quickly get up to speed.

But this seems very different. I have to work out how and where an open and connected classroom can be appropriate mode of delivery for any class.

Week 1:
I started out by asking the students to think about what form this Open class would take and (given that I would have to recruit another member of staff), who they wanted to deliver it.

The answers were:
  • Individual and small group tutorials (vs lecture program). 
  • Personal tasks pertinent to the individual's Final Major Project (vs group tasks).
  • A speaker program (online and/or onsite).
  • Mentors (online and/or onsite).
I did tutorials f2f in class for the rest of the session then online "hangouts" in the evenings for overspill.

Q's (to the students)

If the class is going to run as a kind of open workshop - then we need an online "pin-board" where I can post resources and relevant content to people whose projects overlap and for cross fertilization. Needs to be pre-existing architecture (no sys admin here), robust, secure, free to access and free to use. Needs to be searchable and able to handle multimedia content. Preferably it will have an existing audience/community and we must be able to "port" existing open-participants across  - perhaps something like tumblr?

Answer (from class)
Google+ Community.

Q (to the students) What's the class called? Name should draw on existing phonar/picbod brand-familiarity but delineate this class as different - something like #PhFubu (Phonar For US By Us)

Answer
#Phubu in collaboration with Raw Format (the final degree show title)


Week 2:
Groups of four taking turns to pitch their project ideas and then brainstorm around developing those ideas.
New Groups - repeat process.
New Groups - pitch idea followed by brainstorming all the possible audiences for their projects.
Watch interview below - then read blog post excerpt.




"I wrote to Aaron for help with Homeland, the sequel to Little Brother to get his ideas on a next-generation electioneering tool that could be used by committed, passionate candidates who didn't want to end up beholden to monied interests and power-brokers. Here's what he wrote back:
First he decides to take over the whole California Senate, so he can do things at scale. He finds a friend in each Senate district to run and plugs them into a web app he's made for managing their campaigns. It has a database of all the local reporters, so there's lots of local coverage for each of their campaign announcements.
Then it's just a vote-finding machine. First it goes through your contacts list (via Facebook, twitter, IM, email, etc.) and lets you go down the list and try to recruit everyone to be a supporter. Every supporter is then asked to do the same thing with their contacts list. Once it's done people you know, it has you go after local activists who are likely to be supportive. Once all those people are recruited, it does donors (grabbing the local campaign donor records). And then it moves on to voters and people you could register to vote. All the while, it's doing massive A/B testing to optimize talking points for all these things. So as more calls are made and more supporters are recruited, it just keeps getting better and better at figuring out what will persuade people to volunteer. Plus the whole thing is built into a larger game/karma/points thing that makes it utterly addictive, with you always trying to stay one step ahead of your friends.
Meanwhile GIS software that knows where every voter is is calculating the optimal places to hold events around the district. The press database is blasting them out -- and the press is coming, because they're actually fun. Instead of sober speeches about random words, they're much more like standup or the Daily Show -- full of great, witty soundbites that work perfectly in an evening newscast or a newspaper story. And because they're so entertaining and always a little different, they bring quite a following; they become events. And a big part of all of them getting the people there to pull out their smartphones and actually do some recruiting in the app, getting more people hooked on the game.
He doesn't talk like a politician -- he knows you're sick of politicians spouting lies and politicians complaining about politicians spouting lies and the whole damn thing. He admits up front you don't trust a word he says -- and you shouldn't! But here's the difference: he's not in the pocket of the big corporations. And you know how you can tell? Because each week he brings out a new whistleblower to tell a story about how a big corporation has mistreated its workers or the environment or its customers -- just the kind of thing the current corruption in Sacramento is trying to cover up and that only he is going to fix.
(Obviously shades of Sinclair here...)
also you have to read http://books.theinfo.org/go/B005HE8ED4
For his TV ads, his volunteer base all take a stab at making an ad for him and the program automatically A/B tests them by asking people in the district to review a new TV show. The ads are then inserted into the commercial breaks and at the end of the show, when you ask the user how they liked it, you also sneak in some political questions. Web ads are tested by getting people to click on ads for a free personality test and then giving them a personality test with your political ad along the side and asking them some political questions. (Ever see ads for a free personality test? That's what they really are. Everybody turns out to have the personality of a sparkle fish, which is nice and pleasant except when it meets someone it doesn't like, ...) Since it's random, whichever group scores closest to you on the political questions must be most affected by the ad. Then they're bought at what research shows to be the optimal time before the election, with careful selection of television show to maximize the appropriate voter demographics based on Nielsen data.
anyway, i could go on, but i should actually take a break and do some of this... hope you're well
This was so perfect that I basically ran it verbatim in the book. Aaron had an unbeatable combination of political insight, technical skill, and intelligence about people and issues." (http://boingboing.net/2013/01/12/rip-aaron-swartz.html)

For next week - look at all of the audiences of the entire class and build crossover groups.

Introduced Mentor number one - Graham Macindoe - (interview hadn't been outputted as I'd only done the interview the night before and so they had to watch an unedited version in class - meant that the tweeted notes and comments couldn't draw on a synchronous live online audience). NY- GMT time difference means Graham can't be live on the Wednesday morning session (this class is Wednesdays 09:00-13:00) - need class to resolve this.



Secured two more mentors - one with experience running his own magazine and gallery, one working in editorial magazine and advertising industry - both London based, both with active social media communities / presences.

Approached an assistant working with 'A' list fashion photographers to do some behind the scenes interviews and technical workshops - need confirmation - this will have to be anonymous but am thinking it could be a serialized feature of the class - a hook.







Thursday, 22 November 2012

OUCH not MOOC


  One of the first questions Matt Johnston and I ask ourselves when we look at changing our open classes  is: "Will this change constitute a barrier to entry?" and if the answer is yes then we re-think it. In this way we've enabled our classes to become global networks, accessible to non-English speakers, people without recourse to funds and/or a UK secondary education. They've become a distributed pool of talent from which clients can search and hire, similarly we've begun to connect our distributed student-pool to the collaborators (speakers, professionals, lecturers etc) for private tuition - at a fraction of the cost of a tradition a degree course, significantly less than most "portfolio reviews" and with exciting responses.

  Outside of Coventry there are over 60 collaborating Universities with editing rights on the schedule. Inside of the University the classes have become some of the most popular and the Photography BA course in which they sit is now the hardest to gain entry to (even at the maximum UK fee chargeable) with the highest achieving applicants by a significant margin  and all at no additional cost to the institution.

So where's the catch?

Well, because of their success I was talking again about them again this week in the context of MOOCs in what the New York Times described as the year of the MOOC. But the thing is,  they're not MOOCs.

  One of the barriers to entry that Matt and I struggle with are cultural barriers to entry. The language is different and I suspect the crowd-sourced translations often miss our intended meanings.



 The management culture within an institution like a university uses a markedly different lexicon to the people at the sticky end. When we think about "sales and brand equity", we probably don't easily equate that to "the number of students in the room and what they thought of the class" but this is exactly what it means in an Open Class and we have to make that clear. It's our job as teachers to explain this to our managers, we have to bridge this cultural divide.

  Phonar is an Open Undergraduate Class Hybrid (from now on referred to as an OUCH). It is a regular undergrad class, a version of which lives and leverages online. That means it doesn't incur the massive start-up costs of Coursera or Udacity (which, when used as examples prompt managers to question price-points and returns on investment etc). Instead it re-thinks what my valuable product as teacher actually is and turns that "learning experience" (sunk cost) into an outward facing and long-tail asset - which means:

if the experience of the class is awesome then enable as many people as possible to find out.

  What follows is enabling the participants to engage in such a way that they amplify everyone's experience without incurring an atoms drag - the edu-cultural translation to which is:

"how do you increase the students' perceived value of the educational experience and improve their employability chances by introducing them into professional networks etc without increasing overheads?"

  Well open classes like DS106 , phonar and picbod are very successful at this because they understand social media is not a media at all, but a network, and so they leverage the architecture of that pre-existing network. They don't incur huge set-up costs or massive investment because they re-purpose existing university assets effectively and free up versions of the class in order to maximise participation via that "social-media" network.

So here's the kicker,  universities kind of already hold all the cards in this respect. The onsite classroom experience is a generative one and social media enables versions of it to be distributed which amplify that face to face (paid-for) experience.

  Dear University - don't listen to the journalist who's never written or run a successful open class. You don't need a MOOC, you do "onsite" really, really well and you have a portfolio of onsite experiences that can be freely amplified just by opening them up.

Come and ask us about OUCHs and leave the MOOCs to institutions who hold all the cards but prefer to play roulette.



Tuesday, 10 July 2012

‘Great British Public’ in Leeds



© Simon Roberts

Here's one not to miss (outside of London) - fresh from the London Festival of Photography 2012 ‘Great British Public’ will be arriving in Leeds at the White Cloth gallery on the 19th of July and staying until 17th September.
Contributions from: John Angerson (Ilford Photograper of The Year), Nick Cunard, Peter Dench (World Press Photo Award), Liz Hingley (Canon Female Photojournalist Award Winner), Zed Nelson (World Press Photo Winner), Ben Roberts (Magenta Flash Forward Emerging Photographer Winner), Simon Roberts (Official 2010 UK election artist), Arnhel de Serra, Homer Sykes and Giulietta Verdon-Roe.

Sunday, 8 July 2012

What is a MOOC? #jiscwebinar

This Wednesday (12-1pm BST) I'll be taking part with Lou McGill , David KernohanMartin Weller and Dave White in a free JISC webinar talking Moocs (Massive Online Open Courses)My role will be to talk about phonar and picbod from an instructor's perspective - although neither class are strictly Moocs, hopefully there'll be things enough to share that may prove useful for anyone interested in creating and running an online class (and not just limited to photography).


It's free but you need to sign up and test the software (unlike phonar and picbod this webinar will be running on one of those proprietary software platforms favoured by edu-institutions. We can discuss whether they're appropriate for environments for MOOCs only if you sign up, install, test...... :)

#jiscwebinar


Friday, 29 June 2012

Can photographers teach educators anything?

Next week Grant Scott and I are in conversation for ClickClickJim in Brighton , it's free and we'd love you to come, but if you can't make it to the seaside then in the spirit of the open classes - we'd like you to shout down the interwebular tubes instead, either by chipping in here (comment) or tweeting (please use the hashtag #PhotoEd ).

We'll then add your comments/tweets into the mix on the night and it'll be like you were in the room with us, fightin' the good fight.

So, here's the question:
"Can photographers teach educators anything about "teaching", about "photography" or about "teaching photography"?



Monday, 25 June 2012

ClickclickJim Talk with Hungry Eye. July 3rd Brighton.


I'm in conversation with Grant Scott of HungryEye next week, be great to meet up in person if you're able to drop by.

j

 A few months ago, as part of their regular series of podcasts, editor of Hungry Eye Magazine (and collaborator / supporter of the miniclick talks) Grant Scott invited the creator of the world’s first open undergraduate photography course, Jonathan Worth for a chat. Jonathan’s PICBOD and PHONAR courses at Coventry University are free and available to all online and have caused a bit of a stir. His conversation with Grant proved to be one of Hungry Eye’s most popular podcasts and created a significant amount of debate and comments on the social media networks. Personally, after listening, I felt fired up and ready to start a revolution so I’m really looking forward to seeing the two of them discuss some similar themes (the current state of the industry, it’s future, photography education…) on Tuesday July, 3rd.
The talk will be on Tuesday July 3rd at The Old Market in Brighton & Hove. Doors are at 6:30pm and entry, as always, is free!


Thursday, 15 March 2012

Ringtone Piracy

"Ringtone Piracy" an issue that MUST be taken seriously.