Friday, 16 April 2010

A crowd sourced living portrait

 More inspiration from Aaron Koblin with further examples of how providing a platform for fans to gather can provide a powerful force to lever. In this case to re-draw frame by frame an entire Johnny Cash video. And you can join in too at the www.thejohnnycashproject.com


Read the full article at FastCompany here.

Sunday, 11 April 2010

Clay Shirky's TED talk on the social media revolution.

This is worth fifteen minutes of every media practitioner's time but if you've not got the full fifteen then the last few lines resonated loud and clear from 14.30 beginning "The media landscape that we knew ..... where professionals broadcast to amateurs...is slipping away....  how can we make best use of this medium? Even though it means changing the way we've always done things."

Thanks @jeffjarvis


Tuesday, 6 April 2010

"Too Perfect to Print" (you're a copyright infringer until you prove otherwise).

Two weeks ago a Joanna Ornowska (student of mine) came to me. She was frustrated that she'd been unable to have some images printed at a local pharmacy. The story has since been reported widely and now circulates freely in various forms, no doubt continuing to evolve as it lives it's own life as 'content'.

It came out as we were poring over yet another edit of her project detailing her recovery from skin cancer and Hepatitis C. We were wrapping up when she asked if I'd also write a letter to confirm that she was my photography student. She went on to explain how she'd made some pictures for a friend but when that friend had tried to have them printed, the store clerk refused, because the images were "too professional". She (the friend and subject of the photographs) would have to prove that they were hers to print.

Joanna didn't know how she could do this - she'd since gone to the store with her friend the clerk hadn't believed her. She'd not embedded any file information (as she normally would) because she'd no intention of keeping the images. She'd made them (in camera) away from University as a quick gift, a favour for a friend to take home to her family in Poland. That was the end of it.

How could she now prove that she hadn't stolen these images and was in the act of having someone else illegally infringe another party's copyright?

The clerk demanded a headed letter (does anyone still emboss their stationary?) with her business address and details on it. She explained that she was a student and not self-employed yet,  could she instead bring a letter from her University ?

The clerk wouldn't accept a letter from me (her tutor) to confirm that she was a photography student of mine.

I tweeted the story.

We worked on the premise that out of this frustration we would make something good. We would raise her profile and use Boots' to do it; did you see the work that she does copyright by the way? It's very good, you really should, here.



There are though a bunch of other things that interest and concern me with this little story:

The issues of Authorship versus Ownership (ironically I see that Joanna isn't being credited in many of the picture usages and to the best of my knowledge is receiving no fees).

The life of content once we release a digital version into the internet (many of the stories have varying details and often fail to mention Joanna by name).

How we perceive and value the life of that content (often inappropriately applying analogue attitudes and sensibilities).

And most pertinent today (as the Digital Economy bill is debated in the UK House of Commons): the default action of a store to arbitrarily assume an individual to be guilty, until they're able to (again arbitrarily) prove their innocence.
 

#DEBILL